Auditory Modulation of Multisensory Representations

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dc.identifier.uri Effenberg, Alfred O. ger Hwang, Tong-Hun ger Ghai, Shashank ger Schmitz, Gerd ger 2019-06-06T10:54:07Z 2019-06-06T10:54:07Z 2018
dc.identifier.citation Effenberg, A.O.; Hwang, T.-H.; Ghai, S.; Schmitz, G.: Auditory Modulation of Multisensory Representations. In: Aramaki, M.; Davies, M.E.P.; Kronland-Martinet, R.; Ystad, S. (Eds.): Music Technology with Swing (LNCS ; 11265). - Cham : Springer, 2018, S. 284-311. DOI: ger
dc.description.abstract Motor control and motor learning as well as interpersonal coordination are based on motor perception and emergent perceptuomotor representations. At least in early stages motor learning and interpersonal coordination are emerging heavily on visual information in terms of observing others and transforming the information into internal representations to guide owns behavior. With progressing learning, also other perceptual modalities are added when a new motor pattern is established by repeated physical exercises. In contrast to the vast majority of publications on motor learning and interpersonal coordination referring to a certain perceptual modality here we look at the perceptual system as a unitary system coordinating and unifying the information of all involved perceptual modalities. The relation between perceptual streams of different modalities, the intermodal processing and multisensory integration of information as a basis for motor control and learning will be the main focus of this contribution. Multi-/intermodal processing of perceptual streams results in multimodal representations and opens up new approaches to support motor learning and interpersonal coordination: Creating an additional perceptual stream adequately auditory movement information can be generated suitable to be integrated with information of other modalities and thereby modulating the resulting perceptuomotor representations without the need of attention and higher cognition. Here, the concept of a movement defined real-time acoustics is used to serve the auditory system in terms of an additional movement-auditory stream. Before the computational approach of kinematic real-time sonification is finally described, a special focus is directed to the level of adaptation modules of the internal models. Furthermore, this concept is compared with different approaches of additional acoustic movement information. Moreover, a perspective of this approach is given in a broad spectrum of new applications of supporting motor control and learning in sports and motor rehabilitation as well as a broad spectrum of joint action and interpersonal coordination between humans but also concerning human-robot-interaction. The final publication is available at Springer via ger
dc.description.sponsorship European Commission/H2020- FETPROACT-2014/641321/EU
dc.language.iso eng ger
dc.publisher Cham : Springer
dc.relation info:eu-repo/grantAgreement/European Commission/H2020- FETPROACT-2014/641321/EU
dc.relation.ispartof Aramaki, M.; Davies, M.E.P.; Kronland-Martinet, R.; Ystad, S. (Eds.): Music Technology with Swing (LNCS ; 11265) ger
dc.relation.ispartofseries Lecture Notes in Computer Science;11265
dc.rights Es gilt deutsches Urheberrecht. Das Dokument darf zum eigenen Gebrauch kostenfrei genutzt, aber nicht im Internet bereitgestellt oder an Außenstehende weitergegeben werden. ger
dc.subject Interpersonal coordination eng
dc.subject Motor control eng
dc.subject Motor learning eng
dc.subject Movement sonification eng
dc.subject Multimodal integration eng
dc.subject Multimodal perception eng
dc.subject Perceptuomotor representation eng
dc.subject.ddc 790 | Freizeitgestaltung, Darstellende Kunst ger
dc.title Auditory Modulation of Multisensory Representations ger
dc.type bookPart ger
dc.type Text ger
dc.relation.isbn 978-3-030-01691-3
dc.relation.isbn 978-3-030-01692-0
dc.relation.doi 10.1007/978-3-030-01692-0_20
dc.description.version acceptedVersion ger
tib.accessRights frei zug�nglich ger

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