Journals: Recent submissions

  • Introduction: The “Research and Exhibition Artefact” 
    Vahebi, Mandana (Hannover : Leibniz University Hannover, English Department, 2024-05)
    It is a fact that in writing about the cinema there is an inherent compromise in the process of analyzing audiovisual aspects. “Videographic Criticism” has paved the way for scholars to develop their arguments while ...
  • Interview with the Local PGF Conference Organizers Katerina Steffan and Lujain Youssef 
    Pantelici, Ioana-Marina; Ojo, Adebola (Hannover : Leibniz University Hannover, English Department, 2024-05)
    To get a better idea of what it takes to organize an academic conference, students from the seminar interviewed local organizers Katerina Steffan and Lujain Youssef.
  • Interview with PGF Conference Keynote Speaker Anne Potjans (HU Berlin) 
    Pantelici, Ioana-Marina; Fischer, Holly; Ojo, Adebola; Çinar, Simge Irmak (Hannover : Leibniz University Hannover, English Department, 2024-05)
    Anne Potjans from Humboldt-Universität zu Berlin talks about her experience as the Keynote Speaker at the 2023 PGF Conference “Spaces of Affect in the Americas.”
  • Conference Report: 2023 PGF Conference “Spaces and Affect in the Americas” 
    Fischer, Holly; Çinar, Simge Irmak; Pantelici, Ioana-Marina (Hannover : Leibniz University Hannover, English Department, 2024-05)
    For this open section, students from the seminar "Editing a Scholarly Journal" (taught by Felix Brinker and Kathleen Loock, Winter 2023/2024) took part in the 2023 PGF Conference “Spaces and Affect in the Americas” at ...
  • Benh Zeitlin Breaks the Ice 
    Ak, Kerem (Hannover : Leibniz University Hannover, English Department, 2024-05)
    Through his movie, Beasts of the Southern Wild (2012), Benh Zeitlin thaws the ice between humankind and nature and provides a unique and heartfelt perspective about how to come to terms with the more-than-human world.
  • Representing the Unrepresentable: Trauma in Rocketman 
    Shams-Mostofi, Lida (Hannover : Leibniz University Hannover, English Department, 2024-05)
    Lida Shams-Mostofi’s video essay “Representing the Unpresentable: Trauma in Rocketman” delves into the representation of trauma in the biographical musical film Rocketman (2019), reflecting traumatic flashbacks of disturbing ...
  • Trauma Unleashed 
    Shokrollahi, Shirin (Hannover : Leibniz University Hannover, English Department, 2024-05)
    Shirin Shokrollahi’s video essay “Trauma Unleashed” delves into the intricate layers of Everything Everywhere All at Once (2022) to unravel the visceral portrayal of trauma and its aftermath, mapping the journey from ...
  • A Reading in the Machine 
    Qolami, Sadjad (Hannover : Leibniz University Hannover, English Department, 2024-05)
    Sadjad Qolami’s video essay utilizes the opening credits of A Separation (2011), featuring a photocopy machine in operation, as a metaphor for the cinematic apparatus – a machine generating copies of reality, a machine ...
  • Traumatic Grief 
    Vahebi, Mandana (Hannover : Leibniz University Hannover, English Department, 2024-05)
    In this video essay, trauma is portrayed through the cinematic technique of Free Indirect Discourse (FID). The constant interchange between the camera’s narrative perspective and the character’s traumatic grief creates a ...
  • Bathroom Prayers 
    Dirks, Aenne (Hannover : Leibniz University Hannover, English Department, 2024-05)
    [No abstract available]
  • The Quilt / 13 ways of looking at an Altoids tin 
    Willeford, Sarah (Hannover : Leibniz University Hannover, English Department, 2024-05)
    [No abstract available]
  • Pleasure in Pain 
    Peters, Nientke (Hannover : Leibniz University Hannover, English Department, 2024-05)
    [No abstract available]
  • On the Bar 
    Vahebi, Mandana (Hannover : Leibniz University Hannover, English Department, 2024-05)
    [No abstract available]
  • Words, Inherited I / II 
    Geitlinger, Charlie Anton (Hannover : Leibniz University Hannover, English Department, 2024-05)
    [No abstract available]
  • Introduction: Poetry Workshop 
    Vahebi, Mandana (Hannover : Leibniz University Hannover, English Department, 2024-05)
    In celebration of a genre that stands on its own and lends its stimulation to our daily lives, a poetry workshop was held by Abigail Fagan in the 2023 summer term. This issue's Independent Studies Sections features ten ...
  • Shiraz is in the heart / trilingual 
    Rahmanian Koushkaki, Shayan (Hannover : Leibniz University Hannover, English Department, 2024-05)
    [No abstract available]
  • the bare minimum 
    Schroeder, Lena (Hannover : Leibniz University Hannover, English Department, 2024-05)
    [No abstract available]
  • “I’ll Call it Platonic Magic”: Queer Joy, Metafiction, and Aro-Ace Autofictional Selves in Alice Oseman’s Loveless 
    Lienhard, Alissa (Hannover : Leibniz University Hannover, English Department, 2024-05)
    This article examines how Alice Oseman’s novel Loveless employs both metafiction and autofiction in its narration to establish queer joy. Metafiction hereby connects to romance tropes that are both employed by and reflected ...
  • Real Women Are Too Real: Female Character Constructions in Carmen Maria Machado’s “Real Women Have Bodies” 
    Kashulskaya, Elisabeth (Hannover : Leibniz University Hannover, English Department, 2024-05)
    Horror contains all the necessary ingredients for an enticing read: its startling, oftentimes unprecedented elements and imagery manage to produce suspense within a fixed framework that ensures separation between a fictional ...
  • Hyperobjects and Affect Theory: Understanding the End of Nature in Juliana Spahr’s “Gentle Now, Don’t Add to Heartache” 
    Parrondo, Claudia Alea (Hannover : Leibniz University Hannover, English Department, 2024-05)
    This article studies the use of Affect theory in relation to the notion of hyperobjects to explore if the latter can help transform complex environmental processes into culturally comprehensible concepts. Taking the notion ...

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